A crowded room, distorted guitars, some reverb, and suddenly, a horn section comes in. Then, the chorus, with heavy, distorted guitars on the right. All vocals on the left. "Sgt. Pepper's Lonely Hearts Club Band", which segues right into "With a Little Help...".
Looking back at this album summarizes, I guess, the Beatles. Memorable songs, pop, experimental, always touching. But what's interesting with this album is that the compositions are, for the most part, simple. Arrangements are simple. Yet, everything is so effective.
And, production wise, everything sounds good. As a guitar player, I am amazed by the guitar sounds, which, most of the times, is razor sharp, piercing through the mix, but never taking too much space, except when it shines, for the occasional dirty guitar solo (listen to "Fixing a Hole" or "Good Morning..." for perfect examples (the latter in which the guitar solo is dueling against the horn section... amazing)).
Actually, I guess that the success of this album lies in its balance. The songs flow one into another, the sounds are often quite different from song to song, but still, something connects them perfectly together. The best example is "Within You, Without You", that just features sitar and percussions... yet, this song fits amazingly well in the context of the album.
To me, that is what good rock music is all about. You've got to push and pull the listener, reach for some different textures, but in the end you've got to keep it interesting and arrive with a finished product that sounds as a whole. And that is an art in itself. The art of balance.
Saturday, May 10, 2008
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1 comments:
C'est en grande partie ce qu'il me manque dans la musique produite au 21e siècle. De la créativité à l'état pur, sans artifices techniques. Tout le monde se dit influencé par les Beatles, mais personne ne s'applique à faire des enregistrements comme eux; simples, originaux. Dommage.
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